Analysis Of Three Fictional Stories
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9 pages in length. The writer discusses naturalism and realism in Edith Wharton's "Roman Fever," regionalism in Jewett's "The White Heron" and romanticism and realism in Twain's "Huckleberry Finn." No bibliography.
Filename: TLCAnalF.rtf

Analysis of Toni Morrison’s “Beloved,” Opening Section of Part III
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A 6 page paper which closely examines what makes this section so important to conveying the novel’s overall themes, and considers dominant tropes and images as well as compares how the urging to claim agency to the women in Azar Nafisi’s “Reading Lolita in Tehran” and Virginia Woolf’s “A Room of One’s Own.” No additional sources are used.
Filename: TGbelthree.rtf

Analysis Of Writers: Kafka, Morrison, Cervantes
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A 10 page paper that discusses a number of works, including those by Kofka, Morrison, Cervantes, Spiegelman and Jordan. These include: The Metamorphosis; the Hunger Artist; Playing in the Dark; Don Quixote; and The Crying Game. The emphasis is placed on the writer's styles and why they wrote as they did. Bibliography lists 10 sources.
Filename: PGlit2.wps

Analyzing and Diagnosing Mental Disorders Using the Case Studies Of Margery Kempe and Elizabeth Perkins Gilman in Rebecca Shannonhouse’s “Out of Her Mind”
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An 8 page paper which compares and contrasts the specific illnesses and symptoms experienced by these young mothers, the impact on these women and others, offers historical perspective, and provides a complete DSM-IV five-axes diagnosis of Margery Kempe. No additional sources are used.
Filename: TGhermind.rtf

Ancient Myths in Modern Applications
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This 4 page report discusses the idea that ancient myths, because of their fundamental universality, are still the foundation of many of the plots, adventures, and stories that make up the drama of the modern age. Super-human strength, romantic liaisons between forces of great power, and battles between titans are all a part of the mythos of modern life. What is important to understand is that each of those frameworks or archetypal thinking are grounded in the stories, myths, and histories of the ancient age. Bibliography lists 5 sources.
Filename: BWmdmyth.rtf

Andre Gide's "The Counterfeiters" And Colette's "The Pure And The Impure": Childhood, Purity And Sexuality
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5 pages in length. The writer discusses how childhood, purity and sexuality play integral roles in both books. No additional sources cited.
Filename: TLCcount.wps

Andrew Niccol's "Gattaca" And Aldous Huxley's "Brave New World": Plot And Ideas
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6 pages in length. The plots and ideas of Andrew Niccol's "Gattaca" and Aldous Huxley's "Brave New World" share a deep commitment to social progression; through these two works of fiction, the authors attempt to depict a seemingly Utopian society where everything in society is neatly compartmentalized to the point of being sterile. This look toward the future encourages one to postulate just what a Utopian society represents, as well as to consider whether or not such an entity would be at all desirable. No additional sources cited.
Filename: TLChuxly.wps

Antigone, Hippolyte, and Nora
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This 5 page report discusses the stories of Antigone, Hippolyte, and Nora of Henrik Ibsen’s “A Doll’s House.” Initially, “Antigone” appears to be an obvious story of political dilemmas focusing on civil disobedience and civic responsibility, rather than the personal development and revolution of one woman. Hippolyte is the mythological story of a great queen killed by Hercules. Nora Helmer is the “modern” construct and is a character in Henrik Ibsen’s famous play “A Doll’s House.” Bibliography lists 2 sources.
Filename: BWanthip.wps

Aphra Behn's "Oroonoko" Compared To Jonathan Swift's "Gulliver's Travels" - Self/Other Dichotomy
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7 pages in length. The self/other dichotomy is present in myriad forms throughout literary history, but perhaps nowhere is it better illustrated then within the context of Aphra Behn's Oroonoko and Jonathan Swift's Gulliver's Travels, two pertinent examples of how the respective authors can uphold the same approach yet do so in quite different ways. Behn seeks to remove herself from other authors of her genre who characterize themselves as social elitists in relation to the sorry, uncivilized masses they deem as being inferior. In this quest, Behn maintains the self/other differentiation by way of infusing the protagonist with the two elements that demarcate precisely the objective she seeks: education and beauty. Swift, by comparison, does much the same to support the self/other dichotomy, however, he accomplishes this by pointing out the flaws that comprise Gulliver's very being. Bibliography lists 2 sources.
Filename: TLCOroonoko.rtf

Arabian Nights and Days and Rapunzel
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A 3 page paper which compares and contrasts Naguib Mahfouz’s “Arabian Nights and Days” and the Grimm Brothers’ “Rapunzel.” No additional sources cited.
Filename: RArapunz.rtf

Araby and Sonny’s Blues
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A 3 page paper which compares and contrasts James Joyce’s Araby and James Baldwin’s Sonny’s Blues. No additional sources cited.
Filename: RAarjj.rtf

Arch Romantics as Personified by Emma Bovary, Jay Gatsby, Gilbert Markham and Shakespeare’s Orsino
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This 5 page report discusses the idea that many of the modern attitudes and beliefs that have shaped literature throughout the ages have demonstrated how people view the realities of love and longing. For example, Jay Gatsby would have never been the character he was without his focus on Daisy and Emma Bovary’s “scandalous” behavior would have never occurred had she been able to remove herself from what modern romance writers would describe as a “forbidden passion.” Bibliography lists 4 sources.
Filename: BWarchrm.wps

Aristocracy in “Daniel Deronda” and “Pride and Prejudice”
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A 5 page paper which compares and contrasts how aristocracy is depicted in George Eliot’s “Daniel Deronda” and Jane Austin’s “Pride and Prejudice.” No additional sources cited.
Filename: RAdernda.rtf

Art as Thematic Element
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A 5 page paper which examines how different authors use art as an element, pertaining to theme, which serves to gain the attention of the reader. In most cases the use of art is incredibly subtle and is there as a tool to express, and more thoroughly define, the position of the individual within the story. In examining this topic the paper uses "M. Butterfly" by David Henry Hwang, "Real Love" by Andrew Ross, and "How the Garcia Girls Lost their Accents" by Julia Alvarez. No additional sources cited.
Filename: RAartbks.rtf

Aspects of the Equality of Women and Women in Marriage as Found in Passages from Ibsen, Wollstonecraft, de Pizan, Mill and Chopin
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This is a 6 page paper discussing the equality and education of women in the works of Ibsen, de Pizan, Wollstonecraft, Mill and Chopin. The equality and education of women and issues which relate to the equality of in marriage have long been evident in the literature of the past 500 years. Christine de Pizan in 1405 first wrote on the importance of the education of women and the ideals of equality in her work “Book of the City of Ladies”. Since that time the same issues have been discussed by Henrik Ibsen in the relationship between Nora and Torvald in “A Doll’s House” (1879), Mary Wollstonecraft in ““A Vindication of the Rights of Women” (1792), John Stuart Mill in “The Subjection of Women” (1869) and Kate Chopin in “The Awakening” (1899). Contrary to the popular belief that women need marriage and men to “rise” in society, these writings show that women crave education and only want marriage if it can be on equal intellectual terms. Bibliography lists 10 sources.
Filename: TJfiveW1.rtf

Beckett, Pinter, and the Theatre of the Absurd
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An eight page discussion of this seminal genre of twentieth-century drama, and two of its most notable practitioners, Harold Pinter and Samuel Beckett. Specific plays discussed include Pinter's "The Birthday Party," and Beckett's "Endgame" and "Waiting for Godot." Bibliography lists seven sources.
Filename: KBabsurd.wps

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