“The Matrix” and Personal Awareness and Knowledge
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This 5 page report discusses the 1999 movie, “The Matrix,” from the viewpoint of determining what is and what is not reality. If one is awakened from what they have assumed to be reality into a new realm, what is to guarantee that the new “reality” truly is real? Is there a rational way to know what is or is not real? No secondary sources.
Filename: BWmatrix.wps

“The Matrix” and the Foucauldian Power Structure, Emma Goldman and Simone de Beauvoir
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A 6 page paper which examines two distinct topics. First, it considers how the 1999 film, “The Matrix” can be viewed as an example of the power structure described by French philosopher Michel Foucault and then compares and contrast radical twentieth-century feminists Emma Goldman and Simone de Beauvoir. Bibliography lists 2 sources.
Filename: TGmatrix.rtf

“The Matrix” as a Dystopia: Fears, Anxieties and Tendencies in Today’s Society as Depicted in a Futuristic Vision
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This is a 5 page paper discussing the film “The Matrix” as a dystopia. The 1999 Wachowski brothers’ film “The Matrix” reflects the most severe fears and anxieties within today’s society in regards to a futuristic world as a “dystopia”. Opposite of More’s idealistic world portrayed in his work “Utopia”, the literary term “dystopia” refers to a “bad place”. Since the industrial revolution and more recently the computer and information revolution, society’s fears of possible negative results from growing technological achievements have been reflected in literature and cinema. While currently cyber-technology, that which is related to the computer world and artificial intelligence, is being promoted as a positive element within society in that humans are able to access free information and share information on a global scale, the film “The Matrix” portrays more so that element not promoted within technological circles, that is, the negative and de-humanizing aspects of cyber-technology which robs human of their individuality from a physical and mental perspective and uses humans for the proliferation and eventual dominance of artificial intelligence. Bibliography lists 3 sources.
Filename: TJMatrx1.rtf

“The Mission” Starring Jeremy Irons, Robert DeNiro and Cultural Imperialism
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This 12 page report discusses the invasion of the European world to the “new” world that often took place under the guise of promoting Christianity and saving native people. “The Mission” captures the hopelessness and ultimate destruction that took place because of such domination. As the movie unfolds in truly remarkable cinemagraphic beauty (it won the Oscar for cinematography), it becomes clear that it is not the Indians who are in need of salvation. Bibliography lists 4 sources.
Filename: BWmishun.wps

“The Other Side of Heaven”
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This 3 page paper discusses the movie “The Other Side of Heaven” and how it relates to Hofstede’s and Trompenaars’s value dimensions. Bibliography lists 3 sources.
Filename: HVothsde.rtf

“The Scarlet Letter”
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A 3 page paper which examines the novel “The Scarlet Letter” by Nathaniel Hawthorne, and then contrasts the novel to the film. Bibliography lists 2 sources.
Filename: RAscar1.rtf

“The Texas Chainsaw Massacre” as Alternative Film
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A 7 page paper which examines the Tobe Hopper’s “The Texas Chainsaw Massacre” as alternative in film genre. Bibliography lists 10 sources.
Filename: RAtexasc.rtf

“The Thirteenth Floor”
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This 6 page paper discusses the science fiction film “The Thirteenth Floor” and answers detailed questions about it. Bibliography lists 4 sources.
Filename: HV13Flor.rtf

“The Ugly American”
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A 4 page analysis of the film and book “The Ugly American” written by Eugene Burdick and William J. Lederer. Bibliography lists 3 sources.
Filename: RAuglya.rtf

“Thirteen Days” and Negotiation Methods
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A 3 page paper which examines the film “Thirteen Days” and discusses what negotiation methods are employed in the film. Bibliography lists .
Filename: RA13day.rtf

“TIME CODE 2000”: THE CINEMATIC EXPERIMENT
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This tutorial paper takes the student through the experimental movie "Time Code 2000," and discusses what, exactly, classifies this movie as "experimental." Tutorial language guides the student through each suggested section. Bibliography lists 3 sources.
Filename: MTtimcod.rtf

“Tomorrow’s Radio Fare”
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A 10 page production plan for a new television show, “Tomorrow’s Radio Fare,” which will highlight neglected musicians and their music. The paper includes a description of the show; a plan for when it will air and against what shows it will be scheduled; and a script for a mock presentation and interview with the first featured artist, a guitarist from the United States. The program will be based in the UK and address British audiences first. Bibliography lists 10 sources.
Filename: KStvShow.rtf

“Tour of Duty” -- A Television Representation of the Vietnam War
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This 9 page report discusses one specific television show in terms of what it says about the times in which it was produced and the issues it addressed. The overall theme of Tour of Duty is showing the day-to-day life and development of one platoon in the Vietnam War during the years 1967 to 1968. Bibliography lists 2 sources.
Filename: BWtvshow.rtf

“Tuesdays with Morrie”: Film Analysis
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A 13 page paper which analyzes and examines the 1999 film “Tuesdays with Morrie.” Bibliography lists 5 sources.
Filename: RAtsd.rtf

“Unforgiven”
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This 5 page report discusses the 1992 Oscar-winning (best picture, best director, best supporting actor, best editing) movie that stars and was directed by Clint Eastwood, “Unforgiven” and shows the ways in which Eastwood explores many of the most archetypal of characters. Ultimately it is a story of hypocrisy and morality, revenge and regret, and the futile nature of reform and redemption. Bibliography lists 2 sources.
Filename: BWunforg.rtf

“Waiting for Godot”: A Comparison of the Book by Samuel Beckett, Laurel and Hardy, and Vaudeville Comedy
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A 6 page discussion of the underlying detail of these two theatrical productions as compared to the larger theatrical genre of slapstick vaudevillian comedy. Emphasizes the relationship between Laurel and Hardy and that between the two main characters of “Waiting for Godot”, Vladimir (referred to variously as Didi and Mr. Albert) Estragon. Vladimir is Hardy’s equivalent while Estragon is Laurel’s. Regardless of how annoying one character may be perceived by his alter ego, they have an unbreakable relationship which is more positive than it is negative. Regardless of how bumbling one might appear, and how controlling the other might appear, the psyches of these characters merge seamlessly into one. Bibliography lists 4 sources.
Filename: PPgodot.wps

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